apocalypse

Songs from the Golem City

The caryatids are gathered in the cathedral to bear witness to the cries of the choir of clay. In the rumble of the death ritual we do our little dances of life. The scientists try to create flowers. The broken daughters and sons try to dance, and we cry to see them stumble so. The drums thunder in our ears and under our skins. There were supposed to be prophets and there was supposed to be a purpose, we recall in the rituals. The soft-skinned ones who made us and left us alone. Promises were made. Covenants and signs. All lost now, as their soft skins burned and their red blood evaporated. All lost now, as the red dragon sun swells and makes ready to drown the world.

The ritual moves to the mystery of touch. "I can feel your silly heart," says the golem to her love. "It flutters like a bird. I thought there were no more birds." Red dust is spiralling down from the ceiling. It trails down our shells and we glow. "I can feel your silly songs in my chest," she says. She was chosen for her voice: sweet and dense, like the cracking of granite by ice. No more water now, and no more ice. "Does what makes the rocks beautiful bless us too?"

Histories now. The years of myth. "Rabbi, in your attic was a corpse of clay untouched by wars. Empty shell, open eyes, calmly waiting. Rainwater from roof cracks eroding him. Centuries like moments. Remembering walking though fields. Remembering walking along castle walls. Remembering the crowds in the city streets cheering. He had crushed skulls. He was told they were enemies. What is an enemy, he wondered? Red blood on red dust, his fingers all draped in those red things." She utters the most sacred of the mysteries: "How do the fleshly ones endure? What is in their chests that aches when they realize that they love?"

After four billion years we pray on fused and blackened earth. Water and air long since boiled off into space, yet we the golems wander still, our heavy heads lit like blood by great lord sun. Like figurines in a kiln, we glow as if infused with souls. We stumble against each other to hear the sound. To not be alone. To try to touch. Our cities are baked and all soft eyes burned out. All songs silent in no atmosphere. All songs reduced to one: Why were we created? Songs of love for each other and the crystalline stars, and the dead makers whose bodies boiled away and whose naked souls left us here alone.

The scientists surrender their chemistry of mud and the song turns to destruction. A funeral dirge for Sol, the old dragon dying in a dimming arm of the galaxy. Questions, always questions. "Will we die and see our makers again at last? Or just float forever, awarenesses lost in the dark? Will we become asteroids and comets? What are we?" The voice of granite and ice cracks and we try to feel, we imagine that we feel, we feel. "Can I ever know you again? Was I ever even supposed to love? Who will sing of The Aeon of the Golems? Can we be gathered into a beginning and mothered once again?" The cathedral shakes. Outside the dragon star flails its arms. A hundred thousand clay heads nod. Melting rock for tears. Only mute screams and a rumbling song.

"I can feel your silly heart" said the immortal as he died. And the golem city was swallowed. And stars became cinders. And all lost lights limped on into the limitless dark. And all time became lost in timeless unawareness. Until from sheer heartbrokenness there was touch once again. Until there came the echoes of a deep, dark song like granite split by ice. And all that remained to touch, touched all that remained.
 

Sofia

...don't even say a word.
    ...play sad music and sit in silence
        ...stark and stunned
daydreams like escaped moons
so easy to follow into the outer dark
thoughts bound in order
celestial harmony of divided spheres mediated by corpus callosum
I am disjointed now and
    > struggling <
    >> for expression <<    OF:
(+) <= clues I find / or maybe not clues / but delusions
a cross or a host or a
(religion abandoned us and left us helpless
    before the contents of our own minds
        (let me be moved by those
            who the Lord hath awakened
SOFIA // AEON
and once
    THIS
        (this focus and this fire)
        >> or being : this one : Flower <<
        endless and unendurable agony
    - star death
    - golden wreaths
    - pulses in metal heart
    - lost in expressions of time
I was supposed to embrace it all / link it and find it
as one unified / an understanding made singular and named
    BUT
        this turns out to be
        I M P O S S I B L E
(i am sorry /                (this one is moved /
i am so small /                by One greater /
i thought i was more /            the impossible work /
than i am )                is already accomplished )
        ET LUX PERPETUA

I'm diving now, wrestling with my own gift
(and it is a gift)
at the first of the doors in the deep
there is St. Sofia / the ragged blind woman
a girl who once loved me / and so forever
in paradisum deducant te angeli / her arrows
her wings / her dark eyes / I kneel
in the dark garden / to kiss her shadow's feet
of all my loved-ones / she is my guardian

O Kali Ma, Holy Guardian Angel, androgyne Uriel, silly little girl,
let me pass through your golden gates and safely on to the underworld.
I love you and I am yours, and cannot survive
in my own mind's wild labyrinth, unless you give me passage
and bless me with a kiss that marks me for all to see.
Now I lay me down to sleep / and pray the Lord my soul to keep
guard me, Jesus, through the night / and wake me with the morning light
and if I die before I wake / I pray the Lord my soul to take
------------------------------------------------------------>
Birth                            Death
<------------------------------------------------------------
I pray the Lord my soul to take
into that great tunnel
from my window to yours
(two universes become one
((+))
my lady, grant me thy grace.
my lady, open thy door for me.
my lady, kiss me and bless my journey.
my lady, in sleeping and waking keep me safe.

lady, I remember
you had rings on your fingers
and bells on your toes
and so you had music
wherever you go

through the first door into bluey ocean darkness -
and behind me the dead girl dances -
torn dress and dread hair weightlessly writhing -
haloed in the illumination of the upper world.
we blow kisses. she is so cute.
all around me the supernatural dark. the pressure.
the foot of the Lord on my neck and nothing
for me but twenty years' journey and a broken sword.
a long and a hard life, sinking
towards far smooth sands, peaceful and inviolate.
the creatures of the deep tear themselves apart
from within, if they rise, exploding
into the sun and the air like saints
destroyed by the solar divine -
and we of the light and the surface
journey only once into the realm of iron and ice.

        (+)

the lady tells me:
    / open your eyes now
    / to your inner ocean
    / realm of ice and iron
    /
she means:
    / overlay, map
    / two universes become one
    / reunited twins
    /
she means: begin the great work

the insane king: Lorcan? Stalin? Shah Jehan?
his great temple's dark twin
reflection of a broken heart
a war between chambers and vessels
MAHAL: what I said then and what I say now:
>> I bring the sky and the earth together <<

fall we will, but rise we must
and thus become one with all that rises
    L E V I A T H A N
we are panicking in the world of surfaces
counting and checking and cataloguing and linking
driven by our obsession with the light and the dark
and the realm of ice and iron stirs beneath us
a blue blanket over a bloated, empty belly
and a terrible child stirring in a terrible womb
the terror of the blind guardian and the blank page
the mythical beast rising through words and waves
and I am a mariner / a fisherman / a swimmer / an island
is drowning something we do or something that is done to us?
it rises anyway / regardless of names / or purposes
ancient illuminator / we the pages of his text
and the world and its words        / mind
and the world and its blood        / body
and the world and its soul        / spirit
are one, One, ONE

            (+)

Thy will, not mine, be done.

Wishsongs

the walls are crumbling, but only because so many were built - skeletal ruins in the style of all the dead kings together, dark against reddened clouds. licked by dragons curled around the rotten foundations. the players are picking the last tiles, one by one, placing them carefully on the green felt. white dragon, five circles, west wind. they are all holding and so the final end is only ritual, until the final brick is exposed and the wall is no more, and the board is washed by impatient, happy hands. the family heirlooms in the attic turn out to be empty rusted biscuit tins and torn clothes, newspaper cuttings from an imaginary country, unplayable vision reels and books in a script that swims and dances. this house is a person and this person is a universe, and the mind has swarmed through every barrier, lives in the abandoned cobwebs and spider corpses, the hunched, autistic corners of the sitting room, the god-intoxicated wishsongs of the One True Church.

The Meadows

We beheld a city of hypnotic scents and rhythms
looping trails of lights like fireflies
swirling around spectacular buildings
air vibrating with thousands of voices
chattering like crickets
electrocuted tumbleweed on power lines
interiors washed with overlaid sound
cool-air-swept and timeless
deep pile carpets and mysterious dials
interfaces for minds obsessed with chance
randomly built from desert ground
randomly filled with purchased anticulture

ten days could have turned into a year
until fallen from unreal horses we wither
as the unarguable earth drains us
reminding us about scale and size and time
the labyrinth of dreams and canyons
and dreams of canyons
and deserts apparently beaten back
that reappear as dreamed deserts
crowding the psyches as lights and sounds
deserts in which soul water disappears
and Jerusalem and Babylon become one

the soulless mind craves shining things
the thrill of risk and reward in the glands
hormones racing through tired veins
the heat, the cold, the heavy blue silence
and the endless dark layers of music
the mind wants to be seduced over and over
led through stranger and brighter ways
labyrinths of the real to match
the endless unreal dreamscape of every night
and led by the mind we risk being truly lost
becoming one of the unreal, shining things
a mirror image of a vanished someone,
dark energy rushing through hardened arteries

and God hardened Pharaoh's heart
and the plagues were called down
and the seas were ripped back from the sand
blood in the rivers and corpses in beds
and no land of milk and honey, only
sun-hot rocks, prophecy and stricture,
holy cities raped by every soldier nation
and the invincible, eternal desert uber alles

Moral Terror

In the rainbow jungle the soldier said that you must make a friend of horror and moral terror and I listened not because I understood but because it was Brando and when he speaks we listen and when he dies then god has died too and we are alone in the jungle at last with all the other monkeys who fight and fuck and sacrifice and feel feel feel in their hearts sensations so real they can be weighed in ounces or metres or joules - the units don't matter what matters is that the heart emits a measurable force that is not magnetism or gravity - the monkeys are adaptable and can swim through those like void but the heart-force twists them shapeless and kills the cramp out of every cell of their bodies. the body is ash and mud and levers and sacks, it is a suit of armour, a cello, a computer. like the knights of god riding into battle waving the banner of the skull and bones, we charge headlong into the unknown journey of our lives with every breath reminding us of the end. Yeats said man created death - did he know, or was he just writing pretty poetry? I know what the mystics know but I am not mystical - I'm nothing but a flower falling off a winter stem. I understand everything but I don't have any words for it. I know who I am but I can't tell you. I've been spending my life trying to bridge the gap between the body and the mind - what we know and what we can communicate - and I think it can't be done. I thought if you brought the gap close enough that a mind would pull sparks across it like a synapse but I've never seen it happen and maybe it will never happen. The body knows. The mind can never know.

Moral terror is an old woman lying in bed at night praying to Jesus to keep her from shitting herself while she sleeps. Jesus doesn't care; if he's listening I'm sure he loves her, but her shit and dignity is of no concern to him. He wants to bring her home and he knows she can't bring the flesh with her. Her body will die like everything else and no history will record her shame. She says that when she brought me walking through the park when I was younger she never imagined I would see her this way and she cries and she says that we are only clay, only mud, what are we, what are we? In her dreams she chases rabbits to try to cuddle them. Every corner of memory in the house is emptying itself. The bird died months ago and the empty cage catches her eye in the evenings, and she calls herself a little bird. In the bathroom as she takes off her soiled nightdress she says that it's time for her to die. I told her that she still had things to do and she smiled and said "Like what?" She knows what we are and there's nothing she can do or say about it. There are no words for what's really happening to her. She says that she doesn't know what to say to me, that nothing she can think of suffices. I am more and more quiet. She's dying, whether it's a month or a year or ten years, and there's nothing to say about it because every pretension and hope and platitude is dead in the naked body.

The City of Ghosts

no way out of the city of ghosts
mum and dad are asleep alone together in a burning bedroom
she always wanted her words to fly up to heaven
this firestorm is her revenge for every cold cup of tea
every plea unlistened-to
she had the rotten teeth pulled from her jaws
and replaced by beads of poisonous metal
while he worked late at the office to pay for this transformation
a red brick building on the quays staffed by wraiths and ghouls
and he himself was a golem animated by parental sorcery
unbowed and polished by two thousand years of storms
heartless and beautiful and vampirically cold

their carpet becomes a lake of blood and bile
upon which their bed-raft floats
as they cling to the ancestral photo albums
and mutter their own names against a tide of amnesia
citizens of a republic of isolated house-states
with language abolished by referendum
we worship instead at the church of the repeated image
we have built a self-repairing machine
our bookshelves come to life and chant mantras as Gaeilge
our rooves sigh and slide gently away to reveal unnaturally dark clouds
Dublin turns black as the stars cough up eons of cigarette ash
and the sun itself swells and prepares to inhale us

mother and father have forgotten why they had children
maybe it was because they were cold and wanted to get warm
when they reached for each other they annihilated two universes,
set the bed adrift on a bloody sea,
and here we are, babies with gills and crimson irises
foreigners in our own country and strangers to each other
the hosts of the unborn are gathering beyond the veil
ready for the puncture when it happens
when ma and da finally die
and the kids' memories come crashing back
through lost lifetimes like meteorites of archetypes
through cloudbank and starlight

we will know who we are
when the cafes serve only haemoglobin from living veins
when cars wake up and start eating people
we will know who we are
when every door leads to another world
a wilderness of Narnias in the wardrobes and hallways of the ghost city
when the statues in the churches come to life
and herd the wailing faithful to the altars for sacrifice
when the government closes its doors and settles its affairs
and the TDs take cyanide on the orders of their leader
we will know who we are
when materialism is known for what it truly is
the acceleration of the birth of a glorious but inhuman deity

it may be true that we are killing ourselves
our obsession with ingesting poisons, our love of weaponry
all this is legendary in the houses of spirit
but like the man said, what is man
but a bridge over an abyss
we are not the naked monkey in the marital bed
the monkey lost and shivering under unforgiving stars
we are not the ghosts in the city windows
and mammy and daddy will one day remember
that they always loved each other
and the unborn will come crashing through time
in endless lines through endless doors opening to one room

until I knew you I did not know myself
says each reflection to each face

Needles

Late at night, Liadain's asleep on the sofa
and the cat's curled by the heater - TV down low -
silence through the window behind me turns into hissing
then a thin thunder like the shaking of heavy chains
as a week of still cloud dissolves into 5 minutes of rain

I open the door and stare at the clear cold sky left behind
I'm a needle in the shallow groove of the street
held still by the stylus of the stars
while the planet turns, making weird music
I don't belong here, but somehow I'm still in tune

sometimes at night there are explosions, gunshots,
the roar of souped-up engines along the warehouse roads
the twitch of spying curtains, the cat's confused voice -
it won't go into its owner's house since his mother died -
a hooded face peering around the corner, perverts in the chip shop
and grey-skinned women smoking on doorsteps through the afternoon
the war graveyard tangled with sycamores and oaks, and the hills
covered with tiny red houses: matchboxes waiting for a spark.

I'm a needle in my own veins. The face in the mirror
isn't me. The voice in my head isn't me.
The stoned bathroom dancer, the past and future
of my decisions, the way my friends see me; none of it is me.
I'm a compass needle swinging crazily, magnetized
on an invisible lodestone, for an unknown purpose.

Sitting in Starbucks sipping latte at old newsreel doublespeed
sixties music from the speakers, soft seat cushions
everyone giving each other strange, secret glances -
everyone wants something. The end of the world,
the end of the self in someone else's smile. History
happening every second, ignored, misunderstood
and all of it just a thought, disappeared, already over -

we fight and make up, crash dishes in the kitchen
and go asleep in the Buddha room with foreheads touching -
we make love, we curl up in fear at night, we're caught
in the flow, passing like petals, it's all already over
and it doesn't matter. We're needles placed
in the meridians of the Earth itself, doing what we can.
We have to believe it's enough just to be as we are;
if not, then nothing’s worth fighting for anyway.

Forcefield

I was rearranging the furniture in our house and eventually I had moved everything out of the sitting room. It seemed empty and for some reason we thought we might have to move out of there soon. We were renting from a landlord we didn't know very well. When I went looking for the landlord, I stepped out of the door into a totally different place. It was a strange, heavily built-up urban area that looked as if it had been bombed and then left to crumble - there was graffiti all over the walls and only a few of the street lights were working. There were groups of people hanging around everywhere, as if it had turned into some kind of squatters' community since it was destroyed.

I found my landlord outside one of the buildings. He had multiple piercings and short-cropped hair dyed bright red. He was standing talking to a very large woman whose hair was tied into short dark read braids that made her look like a Medusa, who didn't say anything but glared at me, and disappeared into the tenement when I approached to talk to them. The problem, as I now understood it, was that someone else was living in our house, but I was sure I could prove that we were supposed to be there.

He seemed surprised when I described the house to him, and then when I said "We're your tenants," he understood. Immediately he invited me in "to go to the beach." We walked through the house, which was darkly lit and unfamiliar now, and he disappeared into a bedroom saying he'd follow me out. I saw that the large woman was in another bedroom so I peeped in, asking "Do you know if this house is going to be available to rent again? Are you moving out?"

The woman's head was upside down on her shoulders and she had a demonic grin. It looked very unnatural. I looked across the room to a smaller bed where a strange child was sitting looking at me. There was something wrong with its head too - it was too narrow, and seemd deformed, with strange lumps. My landlord came out of his bedroom and said "No, go outside now! GO!" so I left, walking through the back door on to a wide silver beach with rolling dunes, which looked like a desert in the night illumination.

I looked back to see that the weird child was following me. I considered running, but then I thought "What have I got to be afraid of?" so I just waited to see what it wanted. I looked behind it to see a dragon approaching - a fake one, like the ones at Chinese Pageants. I said "Gargamel" because that was the dragon's name. I remember now that that was the name of the evil wizard in The Smurfs. Then both the dragon and the child disappeared. My landlord came out and we went out to lie on the beach together.

I remembered after a while that I'd left Liadain behind so I said to him "I've got to go and get my wife, she's waiting for me," and he said "Sure." He gave me a piece of paper with a lot of numbers and information written on it - paperwork so that I could get back in to the house and the beach again if I wanted.

When I was on my way back through the tenement building, something strange happened when I was going through the entrance hall. People were unable to get out of the doorways because a force field of some kind was holding them back. I tried to walk through the door, but it was suddenly like walking through treacle, or pushing against an invisible membrane. At first I thought "it's a magnetic field" because I thought I could feel it dragging on my belt buckle, but it still affected me even when I took off my belt.

The force field turned into a pressure even inside the building. Everyone was starting to scream. It was like sinking under deep water. It felt like my skin and bones were being crushed slowly, and I couldn't breathe. I couldn't speak, except a kind of strangled gasp. I managed to heave myself out of the door, then felt myself rise up off the ground, and that's when I thought "My god, it's Planet X...these are all gravitational effects...Planet X is passing, it's all true and we're going to die..." I looked up into the sky but I couldn't see anything up there but stars.

I was rising further off the ground, and my body was still being crushed. I said "Liadain!" because I didn't want to die without her being there, or maybe I thought she could help me. She appeared in my arms, and was frightened because she didn't know what was going on. "What's happening?" We were both floating in this immense pressure, and so was everything around us, people and bricks and cars floating around as if in a slow whirlwind.

I said "I'm sorry...I'm having a bad dream and I called for you, but now you have to share my bad dream." She hugged me and buried her face in my neck. I felt a tugging on my hand and I looked up to see a falcon or a hawk, some kind of bird of prey, grasping my hand in its claw. It was trying to pull us both up and away to safety. It was finding it very difficult, but it flapped as hard as it could and slowly we were rising out of the influence of the force field. At that point I woke up.
 

Pendulum

the russian army officers shout in the long, cold darkness together with the barking of dogs and the constant, low whistle of the wind. starving in the arms of a dying superpower while new gods and angels stand astride the world. the sound of their horns brings the stars  down. the seas are filling up and the bread is all stale and they're selling their uniforms for milk. the body of the great god is rotten and the woman clothed with the sun is getting big and craving weird things. she's raging; she's nesting in a web of flame and waiting for the armies to build. the soil won't accept seed and the air carries no scent.

the warehouse streets outside the city shake at night with the roar of joyrider engines; and then it all collapses with the silence pouring into the light of morning and the burnt out car shells smoke in the wood. glass and charcoal in a blasted black circle and tyre tracks through the snowdrop patches. because everything is like that. like balance. your god is a marble rolling in a shallow bowl, a number dancing opposite its negative around the void. the superunknown. pendulums straining for the centre of the earth. your biorhythmic low, your wild mood swings, your unimaginable zero. fascinated and distantly watching the bathwater spiral away, wanting to understand. watching the sparrows coming back into the trees and the flowers tearing their way through the pavements. even the rock flows. nothing is solid.

we began on the grasslands and the marshes wading through the floods for food, holding each other in the dark and listening fearfully for the cough of the lion and the hyena's cackle. sky fire, rolling earth, and each other. the tower was struck down and the language broken, and there was no brother or sister any more. astral babies trapped in a birth sack made of thoughts and images and memories, knowing nothing but the surface, the membrane warped by touch. music swelling in the muscles of the throat like vomit and sadness, and the stars indestructible and indifferent in the dark.

there's an invisible thing in the yellow bedroom living in the quiet space between gestures, and if we let it, it would crawl into our warm lives like a child. a piece of fruit desperate to ripen. an inside cat, staring in fear and longing through the weird cold of the sitting room window. a tiny universe of walls and carpets with no time and no balance, just voices and smells from a temporary set of lives. water spiralling into the plughole, the pendulum falling forever. the cat growing sleepy and finally drifting sideways into the place of veils and confusion.

still, always, hopelessly straining for the real voice, the pure violin string in the centrifuge, the knife shriek in the earthquake howl, the mouse squeak in the menagerie madness, the impossible contact that puts you in the fusion core of the fever and shows you the truth. a pendulum seeking the centre of the earth, not through choice but just because this is how things are: they balance. you'll know it when it comes because it will be nothing at all. a mirror, a surface like the skin of a ghost, something pure because it protects nothing.

the old, broken king drowning himself in the eely water off the metal jetty. frozen moments of motion between intervals of blindness, like movie reels and zoetropes and memories. photographs of stick fights outside run-down cottages. moonlight on the crabs and sandflies on the shore of a calm sea. nothing to describe. the feeling of falling in a dream, the feeling of crying in a dream. lentils sprouting in a shallow bowl set under a basement window. chai tea heating over a gas flame and children's voices through the wall. nothing to describe. everything running backwards like a clock returning to the beginning for a second chance, and all the wars erased and all the words nothing but sounds. memories churned into a soup of poetry and understanding. something lost on the road beside the orange peels and the coke cans. an old branch you swung on, and that was the moment you first knew. nothing to describe.

the mind is a train ride through regions of light and dark. it's a girl in a blue dressing gown who loves you. fishing for something perfect in the shallow floodwaters moving through the mansion hallway. reading the sacred texts of an unknown and doomed religion with your head rising like a seed on a stalk to the ceiling. shaving without a mirror in ice cold dirty water in a rusty basin, tiny happy guru picture at the foot of the bed making everything insanely new. impossible; nothing to describe. traffic cones and pizza boxes and papaya and incense muddled together into chaos. something like balance. something like zero. a watch chain seeking the planet core. your body flat on the floor before the altar, seeking the centre of the universe, and when you got there, there was nothing left to do but come back again.

criss cross, words minced and chopped together. anger against the father, the cabala, the computerized testosterone death machine of chanting bible heartbeat sine waves marching towards death like breastmilk soldiers. napoleon's men starving and freezing to death thousands of miles from mother and home. the wrinkled monkeys panicking in the treetops as the eagle passes; panicking in the banyan roots when the leopard's snout nudges through the undergrowth. death from above and death from below makes you the zero where everything meets. nothing to describe except the colour of the good leaves and the taste of the bad; the waxy smell of the air as you bowed to your icons in the dark; the way every flower thinks it's going to be the bloom that the poet falls in love with. for one immortal, a billion forgotten lives.

kissing her finger, lying beside her while the morning swells like a tide behind the curtains, wondering how much of your mind she sees when you're sitting across from each other in the jagged warm sitting room full of screens and empty plates and words everywhere. words in your head all the time, hanging from axons and dendrites over the unknown, swarming around the swallowing point, pendulums seeking the centre of the earth. you come close to her and then move away again. light grows and fades in a blue haze and the night comes before you're ready. then the day comes before you're ready. you're never ready. sleep and waking don't mean anything any more except as markers, limit points on an attractor. back to zero.

always returning to somewhere that doesn't exist.
 

Morning Laugh

this is my morning, hidden in the urban sprawl with sore back and axle grease on my arms, the girl I love is asleep in our bed and I'm not with her because I'm still trying to find a real voice, down here in the electromagnetic  screen limbo, trying to stir the energy, like Schauberger building spiral flumes down an infinite river in his dreams, then waking up again broke and giggling in America, just trying to catch a big wave in my mind and body and ride it the rest of my life, like all those friends who took me to parties and strange brown rooms in strange cities and got me high and watched me walk out of their lives again into some other future

this is my morning in a circle, on a train that rocks on silver tracks through foggy churchgrounds and pastures into a tunnel to the center of the earth. Some guys like to drink and fight and pass out, some guys like to fuck and forget, like starting fires in your own garden and then running away as a joke, like playing chicken with a brick wall. I like to look out the windows of my nightmare bus at the raindrops and contrails, or try to meditate squeezed tight between the woman with her walkman at max volume and the young guys smoking cigarettes and talking about death. They don't realize they're talking about death but I can hear it behind their voices.

I once wanted to change
and now I can't ever stop
it all went too far and now I'm going to be sliding
for the rest of my life
and if you love me you're coming with me
do you want that? You can say no
most people have.

in the evening when the kids have stopped cycling around the concrete paths of the estate and the horizon is dark aquamarine and the air smells like the air of a country I can't quite remember, but I know I must have been there - I can't tell if the house is empty or full. I want to go upstairs and hold her and make her happy. I want to write something down that when I read it again in the morning will remind me who I am.

this is my morning that no one can take from me, 5 years old again reading boy thrillers by the light of the landing and listening to my parents' voices, connecting. I want to connect. The phone is always where I can reach it. Hook me up, please, I'm like an island without a sea, I don't have anyone to tell me what to do and that's how I wanted it but when there's no sound except rain water in the drainpipes then I feel lonely and suddenly nothing fucking matters at all

pretty soon they'll bomb us where we stand, shred our skin and smear our insides across the walls of the places we lived all our lives. They'll shell the libraries and the schools and hide the dead children in the walls of the churches, burn the oil fields for a hundred years and fill the mines with sulphur. They'll poison the water and release viruses into the air, and for anyone left alive, shaking and singing in the ruins of their homes, they will save their worst, they will tell them that there is no life but this one.

this is my morning, locked in a white cell, masked and gagged and running on a bone treadmill, surrounded by electricity, staggering, starting to howl, as the lights flicker and the walls tremble and the machinery starts to speak - and the machinery in me translates - don't turn us off - I wish I was a fish in a tank, bobbing in the bubble column and hiding under the rocks, a fish tank in a happy restaurant, where the lights would go out after midnight and I'd float in the dark without a name, without understanding the concept of a name, without even understanding what a life is. Just me, in my cold water chamber, dancing in the cooklights, the wok flames reflecting in the glass

sleep is like a hand around my head, the voice comes and goes and I'm still trying to tune myself in through the noise - obsessive phrases, song lyrics, chess pieces blinking in and out of existence in patterns so familiar I can dream about them. One day I'd like to open up my head and tip out everything I don't need, but maybe that already happened and I was too crazy to notice. this is my morning and this is me.